Waiting for Godot Stephen Brimson Lewis

Stephen Brimson Lewis

Designer

His international theatre credits include the set for Dirty Dancing in Hamburg, London, Toronto, Utrecht, Berlin and the US tour. He recently designed the set and costumes for Stephen Fry’s Cinderella at the Old Vic. Other productions in the West End include set and costumes for Design for Living (Olivier Award for his set design), Becket at the Theatre Royal Haymarket Arsenic and Old Lace and Mahler's Conversion, as well as the costumes for Acorn Antiques.

On Broadway, Stephen received Drama Desk and Tony Award nominations for his designs for Indiscretions, and for its National Theatre production Les Parents Terribles he won an Olivier Award. Other Royal National Theatre productions include A Little Night Music, Rose, Marat/Sade, Private Lives, Inadmissible Evidence, Once in a While the Odd Thing Happens, Mrs Klein, American Clock and Uncle Vanya. He has also designed Arcadia (Bristol Old Vic/Birmingham Rep), A Chorus Line, High Society (Sheffield Crucible), The Illusion, Dreaming (Royal Exchange) and Julius Caesar (Young Vic/Tokyo Globe).

Stephen has worked extensively with the Royal Shakespeare Company, including the sets for Antony and Cleopatra, Julius Caesar and All’s Well That Ends Well, and set and costumes for Merry Wives: the Musical, A Midsummer Night’s Dream, Othello, Believe What You Will, The Taming of the Shrew, Tamer Tamed, Timon of Athens, Macbeth, King John and Much Ado About Nothing (Evening Standard Award nomination).

He has also designed for the Royal Opera House, Deutsche Staatsoper, Sydney Opera House, Vienna State Opera, Monte Carlo Opera and was Production Designer on Bent (Film Four) and Macbeth (RSC/Ch4).

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